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Tuesday, February 05, 2008

Royal Dilemma

A few months ago I was telling my wife that one of the tell tale signs that the general election is looming is the fact that, again, our political parties started talk about that big ugly site at the entrance of our capital city; that big hole in the ground where once stood the Royal Opera House. The site that housed the theater designed by Barry was bombed to the ground in 1942, that's over 65 years ago. That's 65 years of governments incapable of doing something about 0NE single building. I can understand why nothing was done during the immediate years after the war, but how can any one justify the fact that after all these years we are still with a big hole in the ground at the entrance of Valletta. Past and present Governments were incapable of giving to the Maltese people what the second world war had taken away.

Each and every election that I can remember, the same promises and false hopes resurfaced. I have a vague recollection of the 1981 election, I was only ten then, but all subsequent general elections I remember quite clearly; from 1987 to today the issue of what to do with those ruins in Valletta was raised at least every 5 years. We heard all sorts of things, from rebuilding the opera house to having an arts center and even building a new edifice housing the parliament. We had a competition in 1953 for a theater and another one during the early 90's for an arts center but nothing came out of them. What's even worse is the fact that we came to accept the derelict site as part of our heritage. It-Teatru L-imwaqqa, has become a place at par with Castille or the President's Palace, an accepted landmark.

From what has been written and said lately by leading figures in both leading political parties it seems that at least there seems to be an agreement on two very important issues, namely that (1) something needs to be done and (2) building the opera house as it was is out of the question. And I cannot but agree more. If we truly want to project these Islands as a leading tourist destination, we cannot accept that such an important site remains in this state. As an artist, I would love to see the site, or part of it, dedicated to a much needed contemporary Arts Museum but what to do with the site we will have time to discuss and debate. At the moment I just wish that our politicians keep their promises and build the site. A well designed building, whatever it houses, will surely be an added element to our cultural heritage.

Monday, February 04, 2008

Colour

It is very difficult to describe the relationship an artist has with his colours. You love them for what they give you but you also hate them for the limitations they impose on you. Gradually throughout my career i found myself treating my colours as if they were humans, or at least as if they were alive. You start talking to them, arguing with them and thanking them for loyally serving you.

This weekend I started reading Bright Earth by Philip Ball. Anyone with a slight interest in the history of colour should read it. The book opens with the following quote:

"Then the man in the blue suit reaches into his pocket and takes out a large sheet of paper, which he carefully unfolds and hands to me. It is covered with Picasso's handwriting -- less spasmodic, more studied than usual. At first sight, it resembles a poem. Twenty or so verses are assembled in a column, surrounded by broad white margins. Each verse is prolonged with a dash, occasionally a very long one. But it is not a poem; it is Picasso's most recent order for colors ....

"For once, all the anonymous heroes of Picasso's palette trooped forth from the shadows, with Permanent White at their head. Each had distinguished himself in some great battle -- the blue period, the rose period, cubism, 'Guernica' ... Each could say: 'I too, I was there ...' And Picasso, reviewing his old comrades-in-arms, gives to each of them a sweep of his pen, a long dash that seems a fraternal salute: 'Welcome Persian red! Welcome emerald green! Cerulean blue, ivory black, cobalt violet, clear and deep, welcome! Welcome!'" -- Brassai (1964), Picasso and Company

Just beautiful.



Monday, January 28, 2008

Studio plato exhibition @ Artitude Gallery

Hidden in the streets of Sliema is Studio Plato. Studio Plato consists of Robert Howley and the studio assistant Deborah Attard. For the exhibition at Artitude Gallery, Studio Plato invites a cameo appearance of Lucia Suquia Quintana from Madrid.

Most important of all is the work. Studio Plato is divided between two ideologies. One, the classical roots in Art and two, post Modern deconstruction. The studio has a vast library on art with the inclusion of rare books; and a collection of art from Marcel Duchamp, Pierre and Giles, and rare film posters.

What is the viewer expecting to see at Artitude Gallery? Studio Plato will be playing to the gallery, for the month of February. This period includes Valentines Day; a time to remember love and one’s loved ones after the Christmas festivities. So the studio has drawn a series of hearts. Some of the drawings are on Indian Cotton paper with paint , while one will view a triptych of pencil drawings on Ira Losco’s heart, the local band the Characters and without fail, a tribute to the King Elvis.

Deborah Attard has added gloss to the show, with a collection of photo montages. Colour being the message and post modern deconstruction the practice. These images are idealValentines Gifts .While being photographic reproductions, they are a limited edition of twelve from a series of nine. Painting of the flaming heart, butterflies and even an anatomical heart with reference to man ie. Man United will be on show.

So the conclusion is Artitude Gallery has gathered an eclectic show from the workers of Studio Plato for the month of love; not from Plato’s cave where we cast a shadow of our fine image.



The exhibition is being held at Artitude Gallery, Tigne Str, Sliema, between 1st and 29th February. Opening hours are Tuesday-Saturday 10am-1pm, and 4pm-7pm . For more info, please call 21316708 or email christinex180@hotmail.com.

text provided by Artitude Gallery

Friday, January 25, 2008

My First Milonga

For those of you who think that a Milonga is some form of strange animal, like I did, its not. All my worries that this milonga thing would need cleaning, feeding, regular exercise etc. were wrong. It turned out that a milonga is just the term for a place or an event where tango is danced. Yesterday evening, at the l'Isle Adam Band Club in Rabat I attended my first milonga. And so there i was, doing my first tango steps...... it was my equivalent of Disney's Fantasia, where hippos are dancing ballet. My wife was much better though. She was really good, especially when dancing with others. The only problem she had was psychological, she was finding it difficult to accept that i had to lead!!!!

But it was an enjoyable experience and will go again for sure.